Standing in the Shadow of Giants

STANDING IN THE SHADOW OF GIANTS (Edinburgh Festivals Magazine)

For ten weeks Lucie Barât had twin baby brothers. The older of the two, sadly died, changing the family’s life forever. The ‘surprise’ younger baby went on to become the frontman of rock band The Libertines. Both of these events were to become pivotal in Lucie’s life.  

Lucie’s story is autobiographical, one of trying to find herself, as she recklessly attempts to claim her identity and worth. The bond she has with her surviving rockstar brother is strong, but tested, amidst his rise to fame contrasted with her own descent into despair.

The show’s pace quickens with vicarious hedonism; bigger highs leading to even bigger lows and tell all moments of vomiting on Hollywood stars. The show slows uncomfortably when describing her doubts, losses and violations. She moves around the space to suit the mood.  

Lucie delivers with variety and honesty, sharing her demons and desires with the audience. There is much wit and self-depreciation, providing flickers of light in the often bleak accounts of her journey. She showcases a talented singing voice as though still something to prove.

Standing In The Shadows of Giants exposes some grim truths and shines the spotlight on Lucie that she once craved so badly. But most importantly it is bookended by the story of her recovery and growth, a feat not so small in stature itself.